2007 [GERMAN]

Drama / Horror / Romance / Thriller

IMDb Rating 6.7 10 3084


Uploaded By: FREEMAN
June 01, 2021 at 03:30 PM


Nina Hoss as Yella Fichte
720p.WEB 1080p.WEB
827.89 MB
ger 2.0
24 fps
1 hr 30 min
P/S 4 / 17
1.5 GB
ger 2.0
24 fps
1 hr 30 min
P/S 2 / 28

Movie Reviews

Reviewed by magus-9 7 / 10


Petzold is a very controlled and composed film-maker. In this film, as in GESPENSTER, he uses this almost forensic calm and diurnal realism to explore metaphysical issues. So this film, which ostensibly takes place in the aggressive financial world of mergers and acquisitions, is also a film about death, the soul, and guilt. It is a great challenge to look at these intangible themes through the prism of a very tangible, concrete world - but this Petzold does achieve, with beautifully composed and controlled imagery, and even a nice line in wry, ironic humour. There are some great performances in the film - they draw you part of the way in, but nevertheless there is still some distance between viewer and film. This maybe results in a slightly cold viewing experience, but the film has stayed with me long after its end - it is a complex and highly rewarding work, if mainly in retrospect.

Reviewed by hasosch 10 / 10

The fragile time before the brain stops

This is an attempt at an interpretation to a movie which I consider a highlight amongst the movies released in the last couple of years. Since an interpretation implies spoilers, my text is full of them. However, given the chance that I am wrong, the spoilers are dissolving by reading. Therefore, best read this text after you have watched "Yella".

It is a gruesome picture that we can see in older European movies: The farmer grabs a ax and cuts off the head of the poor chicken. Whenever such a situation is portrayed truthfully, then one sees that the trunk of the chicken still flutters around for a good bit of time, before the heart stops and gives the final release out of life. All this you do not see in this movie, thanks the heaven, but the question arises what happens in the brain when the body is dead. Is it true that the death of the heart blows out the last gleaming of brain-activities, or is it rather so, that there are relays in the brain that gather all the present information together, not according to the logic of logic, but to the logic of our dreams, everything unreeling in enormous speed until the brain stops because the last feedbacks from the heart-streams who are still in the body, are ebbed away? After Yella is more or less hijacked by her former husband, he wants to kill him- and herself by driving with the car over a bridge and precipitating into the river. However, we see, how first Yella and then Ben come out, exhausted but alive. Interestingly enough, shortly after, Yella reaches the train that she wanted to take for getting to her new job: Not only was the place of the accident far away from the railway-station, but neither did she loose her high-heels in the water nor are her stockings dirty. The three "clue-men" she meets in and around her new job belong to the same type of men. In the hotel, nobody knows about the reservation of her room that she had made some days ago. In a conference with business partners she knows like a psychic that these partners are betrayers and have even profited from the bankruptcy of her husband. We also hear three times a noise like from an airplane after the cry of a raven. Every time the scene changes, like the acts in a stage play. Although it turns out that the manager who gave her the new job, has been fired meanwhile, she manages to jump from part-time job to part-time job in order to prove her that she is capable to manage her life without the "help" of her husband. However, when the film ends, one sees almost the same scenery as at the beginning, after the car with her and her husband crashed into the river. But there is now just one thing: Both Yella and Ben are dead. Obviously, this film by Christian Petzold is the attempt to reconstruct the fragile time between a lethal accident and the death, so-to-say a mental geography of the never-land between beginning and end of death. This is so fascinatingly done in this movie, that my recommendation is unlimited.

Reviewed by herjoch 10 / 10

A strange "rite de passage"!

Films of the so-called "Berlin School" (Petzold,Arslan,Schanelec)in the last years frequently represented the German cinema at international festivals,and not with small success.Reactions were often similar:Accolades from the critics,especially those from France,while the non-professional spectators mostly were at a loss with the film because of the slow and fragmented storytelling,the long scenes without cutting,the concentration on close-ups and the staging of space.All that applies also to the new film "Yella" by Chr. Petzold,which for many was the favorite for the "Golden Bear" at the Berlinale 2007,but ended up only with a absolutely deserved "Silver Bear" for the fantastic Nina Hoss. "Yella" is some kind of finale to Petzold's "Geister-Trilogie",to which also belong "Die innere Sicherheit" and "Gespenster"; films,which are situated in a clearly outlined reality,but whose protagonists glide through their life like phantoms,unseizable and themselves unable to build a relation to the surrounding world.The story itself is quite simple and more or less superficial: Yella, living in East Germany and married to a man,whose business is near to bankruptcy, has applied for a job in West Germany and plans to leave her past life behind her.Her husband offers to drive her to the station and after having tried in vain to talk her into staying with him and starting their relationship new , he purposely drives the car through the railing of a bridge into the water.They both manage to get to the bank.Yella then disappears and takes the trip to the west.She doesn't get the promised job,but because of her knowledge of dealing with accounts and her appearance she gets the job of assistant to a specialist for venture capital.The film gives brilliant insights into the world of globalized capitalism dominated by greed, betrayal and blackmailing.Yella comes to enjoy the power and the success.It seems that she made it:A profitable job and a new man in her life.But she ruins it all by her own abnormal ambition fed by love.Well, then their is the end,which displeased so many spectators and was called pretentious, illogical or simply stuck on.But if one watches the film carefully and pays attention to all the visual and acoustic guiding themes the end is logic and convincing.A formally stern,deliberately cool and strangely mesmerizing lyrical film.By the way: It tells you more about today's German state of mind than a dozen statistical surveys.

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