Vampire in Venice

1988 [ITALIAN]

Action / Horror


Uploaded By: FREEMAN
March 31, 2021 at 11:57 AM



Christopher Plummer as Professor Paris Catalano
Donald Pleasence as Don Alvise
Klaus Kinski as Nosferatu
720p.BLU 1080p.BLU
855.8 MB
Italian 2.0
23.976 fps
1 hr 33 min
P/S 1 / 6
1.55 GB
Italian 2.0
23.976 fps
1 hr 33 min
P/S 3 / 8

Movie Reviews

Reviewed by Woodyanders 8 / 10

Klaus Kinski shines in this moody, melancholy and atmospheric vampire horror picture

Late, great wacko fruitbag iconoclastic actor Klaus Kinski gives a marvelously threatening, overwhelming, terrifyingly bestial and sometimes even strangely touching performance as Nosferatu, an evil, indestructible, all-powerful vampire who preys upon an affluent aristocratic family in Venice, Italy during the bleak, hopeless, fear-ridden time of the Black Death. Dedicated dying vampire hunter Christopher Plummer and pious, self-righteous priest Donald Pleasence make a futile and foolhardy stand against the foul, parasitic, yet anguished subhuman creature of darkness.

Under Augusto Caminito's able, stately, subdued direction "Nosferatu in Venice" bravely explores mankind's stark fear of and inability to accept his own mortality as well as man's profound, but impractical desire to somehow transcend said mortality. But as the eternally tormented Nosferatu proves immortality can be more of a burden than a blessing, because he and all others like himself are perpetually cursed to endure the suffering of countless mortal others. Tonino Nardi's beauteous, misty, breathtaking cinematography and Luigi Ceccarelli's wondrous, elegant, potent orchestral score prodigiously contribute to the considerable substance of this frighteningly (and, yes, even fascinatingly) morbid, oddly affecting, soulful beauty of a film. The movie's unflinchingly desolate, flesh-crawling, funereal ambiance, relaxed, lulling pace, pervasively nonchalant air of insurmountable nihilism, and somewhat disjointed narrative isn't for every taste, but viewers who are willing to accept this disturbing, challenging, gripping and powerful feature on its own macabre and twisted terms should find it to be very rewarding. Kinski's forceful and singularly wicked presence alone distinguishes this picture as an extraordinary work; few other actors can even begin to convey the same harrowingly tangible sense of extreme unbreakable demonic menace that Kinski effortlessly exuded. A gallant, tough-minded, thematically rich and grotesquely lovely addition to the vampire horror genre.

Reviewed by howardvause 4 / 10

Vampire in Venice? Keep your expectations low...

Nosferatu (dir. F. W. Murnau, 1922) is regarded as a masterpiece. To be honest, I enjoyed Werner Herzog's remake (1979) far more - Klaus Kinski's performance in the title role was perfect; repellent and charismatic in equal measure. So I've been looking forward to seeing this hard-to-get-hold-of "sequel" for years.

Oh dear, what a disappointment. This film is a confused mess.

If "Vampire in Venice" were less conventional, it could be Art-house or Surrealist Cinema. And then its fogginess might be to its advantage. But... it just isn't.

Whereas its' predecessors were directed with a spark of genius, "Vampire in Venice" had a history of directorial dithering - and boy does it show. Despite some excellent cinematography, great sets and a (potentially) strong cast, the film is so weakly directed that it falls apart almost immediately. The cast is wasted. The plot is incongruous. The characters are under-developed and their motivations are anyones' guess. The whole is deeply unsatisfying. Of course, Barabara De Rossi is utterly gorgeous, Plummer has some gravitas and Kinski is OK, but without a firm hand at the rudder, we are on a gondola to nowhere.

Only the film's few saving graces allowed me to watch to the end. One for the curious only, I fear.

Reviewed by dbborroughs 7 / 10

Rethink of the vampire legend is brooding and atmospheric and recommended for those who don't need a another run of the mill vampire film

Christopher Plummer goes to Venice to investigate the last known appearance of Nosferatu during the Carnival of 1786.Plummer seems to think that the vampire is searching for a means to put an end to his torment and actually be dead. He stays with a family who legend says, has the vampire trapped in a tomb in the basement. After a séance "the vampire" appears and then it becomes a question of how do you put the evil back into the box.

Thats a poor description for a very moody, very good rethink of the vampire legend. In theory this is a modern day sequel to Werner Herzog's remake of the FW Murnau's silent original. However other than the fact that Klaus Kinski plays the vampire the films are pretty much separate films. Here the vampire is a force outside of nature, he goes out during the day, religious objects don't affect him and he has powers beyond those of normal vampires. To be honest this film's idea of vampires and their creation is very different than what is considered "normal" vampire lore.

This is a film thats a bit more form over content, but its still weaves a magical spell. Its a very atmospheric haunted Venice story where mood and feeling is all. Its a film designed to make you feel creepy and uneasy and not so much scary in "the jump and scream variety". It helps that the film rethinks what a vampire is. Going back to folklore where things other than a bite on the neck was required to turn someone undead, this film keeps you off balance since you can't be sure what is real with in the film's world.

Adding a great deal to the film are the performances of the excellent cast. Christopher Plummer's vampire hunter is a wonderful man of science who's pronouncements give a weight to the proceedings that would me missing in lesser hands. We believe in whats going on, because he does. Even in the early scenes when there is some doubt as to whats real and what isn't Plummer's intensity keeps things on track. Klaus Kinski as the vampire is a brooding, sad, sexual menace that says very little but wanders through his scenes with a power and intensity lacking in most vampires. Here is an ages old world weary soul who is forced to play peoples stupid games but who really just wants to be loved and most of all to die.

The cinematography of this film is extraordinary. Venice is a character in every shot. You get a sense of place and of dread with every picture. This is one of the most beautiful films I've seen, and its fog shrouded vistas of Venice in the morning deserve to be hung on the wall.

This is an amazing film, more creepy than scary, but one that is none the less haunting. This is a lost treasure for those who can appreciate horror films as being more than just the traditional sort.

7.5 out of 10 (7 out of 10 for IMDb purposes)

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