The Black Room

1935

Action / Crime / Horror / Thriller

2
Rotten Tomatoes Audience - Upright 62%
IMDb Rating 7 10 1727

Synopsis


Uploaded By: FREEMAN
May 10, 2021 at 09:22 PM

Cast

Marian Marsh as Thea Hassel
Boris Karloff as Baron Gregor de Berghman / Anton de Berghman
720p.BLU 1080p.BLU
627.06 MB
968*720
English 2.0
NR
23.976 fps
1 hr 8 min
P/S 0 / 8
1.14 GB
1440*1072
English 2.0
NR
23.976 fps
1 hr 8 min
P/S 2 / 9

Movie Reviews

Reviewed by Bunuel1976 7 / 10

The Black Room (1935) ***

Another film I had been reading about since childhood but up till now have had no opportunity to watch.

An interesting star vehicle for Boris Karloff allowing him to play two roles as contrasting twins; the fact that one of them is deformed may owe something to Lon Chaney and here Karloff demonstrates himself a most worthy successor to the Master's mantle. The period setting - its-folk-tale quality hearkens back to German Expressionism - serves the handsome production extremely well, especially when considering that Columbia Pictures at the time was just starting to pose a serious challenge (following the Oscar sweep of Frank Capra's IT HAPPENED ONE NIGHT [1934]) to the major studios. Director Roy William Neill handles the proceedings with great efficiency and style providing plenty of visual flourishes along the way.

The only criticism one can level at the film regards a couple of slightly contrived plot points: the evil Karloff, who has done away with his benign but paralyzed sibling and whom he impersonates in order to win the girl he loves, is rather stupidly caught by the girl's father when he is spotted in a mirror using his 'lame' hand to sign the marriage contract; Karloff's come-uppance is brought about by his dead brother's faithful mastiff which hates his guts - it's implausible to think that the dog has kept away from Karloff for days (by which time the girl's lover has been convicted for her father's murder) only to conveniently reappear on his wedding day! However, the ironic climax - which allows the prophecy tied with Karloff's family name to be fulfilled - is a splendid one.

All in all, along with THE MASK OF FU MANCHU (1932) and THE WALKING DEAD (1936; see below), THE BLACK ROOM is Karloff's best vehicle of the 1930s which wasn't produced by the studio which made his name, Universal.

Reviewed by juliankennedy23 8 / 10

Hei Xiazi

The Black Room: 7 out of 10: In the Tim Burton film "Ed Wood" Martin Landau's Bela Lugosi complains about his rival Boris Karloff continuing to work even though he played Frankenstein which required only grunting under heavy make-up as opposed to accented seductive Dracula.

Well I hate to point this out to a long dead actor but Karloff can really act. The Black Room is a tour de force performance.

Karloff plays three roles (two twins and one twin pretending to be the other) and manages to give them such a distinctive nuanced performances I squinted at the screen to make sure it really was the same actor in the roles.

The story itself is quite a good set-up. With one brother a devilish tyrant with a taste for village girls and the other a slightly fey traveler with a birth defect. Hanging over their head is a family curse that states one brother will kill the other in the titular Black Room.

There are twists and turns and as many reviews have pointed out this is more a costume drama/mystery than straight horror film. The supporting cast is competent and the sets are well done but this is Karloff's show and he runs away with it.

Reviewed by oOgiandujaOo_and_Eddy_Merckx 8 / 10

Bravo! Bravissimo! Extraordinary Karloff Performance

The Black Room is a great movie. The sets are poor, it lacks the grandeur necessary for a period movie, it obviously had an incredibly low budget, even the premise is poor (though the script had a good twist), mostly Z-grade material, and if that weren't enough, the acting by Karloff's colleagues is abysmal. However Boris Karloff is GREAT in this, I have seen many of his films, which range in quality quite staggeringly, my favourites being the Tourneur movies (least favourite the mad doctors), however in this film his acting is EXTRAORDINARY.

In what is perhaps his greatest performance he plays twin brothers Anton and Gregor so incredibly convincingly. One is an innocent sensitive fop, the other an evil sociopath, what range, what awesome acting! Somehow he seems to make both of them endearing! Let me tell you they certainly don't do it like this anymore.

I am an identical twin myself and it is hard to believe that you aren't watching the performances of twin brothers. The twin dynamic is certainly there, and the scenes when both characters are on screen together are seamless, due to some obviously very clever trickery and Karloff's skill. I can't think offhand of many examples of greater acting in film history, certainly few other actors have Karloff's range.

Highly recommended movie. A fratricidal epic!

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