Summer Holiday


Comedy / Drama

IMDb Rating 7.1 10 1997

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Uploaded By: FREEMAN
January 17, 2021 at 07:33 PM



Anamaria Marinca as Smaranda Ciocazanu
Dragos Bucur as Bogdan Ciocazanu
720p.WEB 1080p.WEB
944.18 MB
English 2.0
23.976 fps
1 hr 42 min
P/S 1 / 3
1.71 GB
English 2.0
23.976 fps
1 hr 42 min
P/S 2 / 5

Movie Reviews

Reviewed by Mihnea_aka_Pitbull 10 / 10

Almost a "Romanian Beauty"

It's no exaggeration that "Boogie" could be considered, up to a certain point, a Romanian twinner of "American Beauty" - it's the same kind of drama, within its specific frame for early-middle-aged people. The characters here are in their early thirties; one could easily imagine that the incipient problems they are facing now will evolve into the full-blown tragedy acted by Kevin Spacey and Annette Benning.

Fact is that Radu Muntean's movie is not only deep and grave, but masterfully made. Same as in his previous two works, Radu proves again that he has a very precise and powerful feeling of the camera lens, picking in the most discreet way exactly those details and angles that serve to build-up the tension. The paradox here is that, although nothing spectacular is happening, the inner stress of the situation builds-up to almost unbearable levels. An important role is played by the several-minutes-long shots, patiently depicting the slow-paced actions and dialogs, with the surprising result of a very intense load of anxiety and apprehension getting pent-up.

Definitely, "Boogie" is carrying forth the well-fated New Generation in Romanian cinema!

Reviewed by veo 9 / 10

Birth of a cinematography

This is the first un-Romanian Romanian movie. It's the first Romanian film, after the '89 revolution, not built on social themes, on the subject of the Securitate officers or about how bad life is in Romania. It's the film we all needed like air: without intellectualized-psychological-metaphysical ambitions, without hidden metaphors born out of the dire fear of not being praised by critics. It's simply a film about the husband-wife relationship, about the father and husband responsibility versus the desire to party with old friends. "Boogie" is also the first movie that may very well have been American, French or Uruguayan. It doesn't matter it takes place in Romania; it doesn't exhibit the national character, it doesn't take apart the mechanism of the Wallachian soul, it doesn't realize the radiography of the Romanian society. It is simply a film about people in their 30's who try to reconcile marriage and partying, freedom and responsibilities, teenage and adulthood.

There are also shortcomings (but infinitely less important than the film's qualities): the annoying compromise aimed at pleasing the critics (that is the missing end, or conclusion, of the film, which, it seems, automatically marks it as an "art film"), generally speaking the paradoxical lack of sense of the movie (which seemed more of an episode of a good series), also casting Anamaria Marinca - one of the few finest Romanian actresses, who plays sensationally, but seems to be overqualified for this role.

Back to the qualities of the film: they all played exceptionally well; special mentions for the always excellent Mimi Branescu and for the funny as hell Roxana Iancu; dialogs are great; you even get to laugh heartily (a rare thing when it comes to Romanian films); it is never boring, not for one second; and it has some metaphors, too :)))) A special mention for the voluptuous pleasure with which the writers have the characters utter brand names, against the nowadays dimwitted trend of eliminating, to the absurd, their pronunciation at TV. It's a good thing the director comes from advertising ;) I would like "Boogie" to be the beginning of a beautiful friendship - between the Romanian movie maker and the public. The beginning has been made...

Reviewed by silver_knight_dragon2005 10 / 10

Only for educated audiences

I guess Radu Muntean was wrong by expecting his movie to have more appeal to the general audience than "Hartia va fi albastra". It's obviously too subtle and stylish. As one can easily notice, the uneducated spectators, brain-washed by the blockbusters, are simply unable to grok it.

Bogdan Ciocazan's struggle with the final good-bye to youth and ultimate step into maturity is convincing and full of feeling, and it really touches one's heart. What annoyed me for real were the reactions of the few baboons who left the theater, muttering about "hey, it ain't nuthin' but words 'ere, nuthin' does't 'appenin'!" Again, Tudor Lucaciu's cinematography is a perfect example of the new values reached by Romanian movie-making - but you need to have watched more than Nicolaescu and Dragan, shot by old-timers as Girardi, to fully appreciate a stylish photography.

As such, it's strongly recommended to see it - but, of course, only if you know what cinema is about. If not, no loss - "Poveste de cartier" is waiting for you, with its light-drowning images and hifi Dolby manele!

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