Red Screening

2020 [SPANISH]


IMDb Rating 6.2 10 271

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Uploaded By: FREEMAN
April 29, 2021 at 01:20 AM


720p.BLU 1080p.BLU
807.92 MB
Spanish 2.0
24 fps
1 hr 28 min
P/S 23 / 63
1.62 GB
Spanish 5.1
24 fps
1 hr 28 min
P/S 36 / 125

Movie Reviews

Reviewed by clawfinger00 8 / 10


It is fantastic movie. Stranger Things meets Friday the 13th. We can see Jason and idiot victims and brave teens. Hide and Fight. It is really enjoyable movie.

Reviewed by OJT 7 / 10

The Cinema Paradiso of horror

It's a soaking wet day with rain pouring down and one of the best hings to do is to go seek refuge in a great old cinema. There's only a problem: A scary murderer is on the loose and he also has taken refuge there.

That's the plot of the Uruguayan horror movie Red Screening (Al morir la Matrinee) which is a throwback to old 80'ies horror movies, where colour and style is more important than the believeability of the plot. It's a beautiful, dark and very moody film, which is a treat to see.

Thoughts go to both Scream, Cinema Paradiso, Stage Fright and even the rains of Blade Runner, and I'm quite sure the film makers have seen them all. A real treat, and well played.

Reviewed by danybur 7 / 10

Tribute to the giallo and the slasher

The action takes place in 1993 (decade of the movie Scream). Rainy night at the Montevideo Opera Cinema. A few spectators enter the large movie theater to see a Frankenstein movie at the evening performance, while the film is screened by the young daughter of the projector. But in the room there is a psychopath who will assassinate them ...

When the matinee dies is a film-tribute to the Italian giallo and his successor, the slasher. Personally, I confess that neither of the two (especially the second) convinced me as a "horror" cinema. The slasher repeats the formula of a serial killer with a sharp object and gruesome murders (with a lot of gore), with generally young victims and in some sexual or drug process, a "final girl", a heroine who faces the monster and a dose of self-awareness shared by your viewers. But his main problem for me is the poor psychological development of all his characters (including the murderer). While every genre film follows certain rules, in this one in particular, everything becomes (to me) very predictable.

The film by the Uruguayan Maximiliano Contenti has some successes and certain limitations that in this genre one does not know whether to attribute them to the genre or to the inexperience (for example, the performances).

At all times there is a certain parallelism between the film being projected and what is happening in the room. After a somewhat routine and static first part, when the action is concentrated on a group of characters, the empathy works better and the interest in the plot is consolidated, interest reinforced by the increasing truculence of the scenes and a murderer who charges more entity. Some shots are very successful (with tributes to the red giallo) and the murders deserve special mention, with a very analog and real gore.

In short, a film that lovers of the genre will surely enjoy and with an effective dose of gore.

It competed at the Mar del Plata Festival and was broadcast on cinearplay.

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