Otto; or, Up with Dead People


Comedy / Drama / Fantasy / Horror

IMDb Rating 5.2 10 1852

Please enable your VPN when downloading torrents

If you torrent without a VPN, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action!

Get Express VPN


Uploaded By: FREEMAN
January 13, 2021 at 03:12 AM



720p.BLU 1080p.BLU
866.14 MB
English 2.0
25 fps
1 hr 34 min
P/S 3 / 2
1.57 GB
English 2.0
25 fps
1 hr 34 min
P/S 2 / 3

Movie Reviews

Reviewed by rumblefish80 3 / 10

only for bruce fans

OK, I am open minded, I love filmmakers that think out of the box and I love when genres are messed about with. I love going to the cinema, especially to film festivals where you can discover gems that no one else has seen yet. Sadly this film was not a gem. It did not shock me, it did not thrill me. I found it all a bit amateurish and before you attack me and say it was low budget and therefore excusable then don't waste your time. I don't believe in negative reviews, I like to look at the good and the bad, no doubt I will get eaten (no pun intended) by the super fans. The acting was pretty terrible to be fair and the camera work was at times clumsy. The sexual scenes sometimes seemed to interrupt the films flow, as if they were slotted in there because that is what his fans expect and want. It is important that films like this are made though and the have an audience of die hard fans but I'm just letting other horror fans in particular zombie fans know that this is more of a porn film than a zombie film.

Reviewed by mkrjr 2 / 10

I really wanted to watch this film. I didn't enjoy it! But I really wanted to watch.

"Otto; or, Up With Dead People"- yes, that is the title- is a film (student-esque looking, really) about... well, not really 'about' because the plot barely delves into a story about him- except that he had an ex-boyfriend... a zombie named Otto. He walks around. A lot. Then in an Otto-unrelated situation, some other zombie fornicates with another zombie through a self-made stomach-hole. The film was like, half mockumentary and half some other crap. I'm sure there are some political revolutionary symbols that one could find relating the zombies to sex-repressed humans or blah blah, but I've seen political living dead films before, and this ain't it. Okay, I'm not one to completely tear apart some other artist's work, so I will say that the cinematography was great in certain scenes- like Otto walking through a field of yellow flowers- the colors were great, and there was one character that was a walking silent-film... that was pretty neat. So, when it all comes down to it:

What Drew Me To See It: I was perusing through IMDb and saw the keywords "Gay Zombie Movie," and though, "Hey. That's new to me."

What I Was Doing While Watching It: Falling asleep. I tried really hard to get into it. I was at a point where I felt like I would be ostracized on the internet horror-movie community if I didn't watch the whole film. So I watched it in 2 parts. Two long, long, slow-moving, confusing parts.

Stood Out For Better: The walking silent film, some visual scenes, and my want to keep watching for the first half. Otto was interesting as well. I just wanted to keep watching him, at first. Oh, and the stomach-screwing was notorious with me.

Stood Out For Worse: The stomach-screwing was okay with me- I'm a fan of outrageous gore and exploitation, but the big orgy of bear-biker zombies towards the end was just too much. And the 'freshman year in film school at the most' vibe of the film really threw me off. It had a hard time drawing my interest and keeping me entertained. I was more anxious to stay awake than I was to watch.

Overall: I hate to be harsh, but this film gets a C-. The only reason I didn't give it a D was because I really wanted to watch it. I didn't enjoy watching it! But I did want to.

Reviewed by yosempai 8 / 10

Otto: or, a Truly Original Piece of Art

The brilliance of some films is visible on multiple levels. Films such as Network (1976) and American Beauty (1999) are both satirical, yet they can be simultaneously viewed as good cinema. Bruce LaBruce's Otto; or, Up with Dead People (2008) is not such a film. It can be read as a satire, Bruce LaBruce's whorish attempt at an instant cult classic, or simply as an entirely original work of art. Actually, it seems more like a combination of the three. Otto satirizes the zombie crowd's lust for films that only have merit for their shock value. In case you aren't familiar with him, Bruce LaBruce is famous for (infamous for?) his no-budget B films. He is one of few directors to have directed a porno and had a film premier at Sundance. Without seeing the film, Otto often comes across at an extremely misguided attempt to corner a niche market—gay zombie horror porn. With that said, the film is neither a horror film nor a porno. There is relatively little gore, and much less sex than the right wing IMDb trolls would have you believe. Otto may be a satire; Otto may be an attempt into instant cult status; but in any case, Otto is art.

Otto; or, Up with Dead People was shown at the Sundance film festival. However, simply being accepted into Sundance does not mean a film is good. Otto was also shown at the wonderful MoMA in NYC. Once again, this does not mean that it is a perfect film, but it should be noted in what way the film is being perceived: as a work of art. Most people will dismiss Otto as a pointless B movie, but in reality it is not pointless. Otto is one of the most original works of feature length cinema from the past decade that I have seen. And this is not simply based on the subject matter. LaBruce utilizes his distinct style and unique cinematic techniques to make Otto a truly fresh work of art.

Now onto the film. Otto (Jey Crisfar) is convinced that he is a zombie who just recently was resurrected. Stumbling around town, he comes across a flyer for auditions for a zombie movie, Up with Dead People. At the audition, the director of the film, Medea (Katharina Klewinghaus), is impressed with Otto's commitment to the character. Otto of course truly believes that he is a zombie, while Medea is sure that Otto is just a regular guy who always seems to be exceptionally dirty. Zombies are often presented as allegorical to "the ultimate consumers who all eat the same things, congregate at the same places, act the same" (Fangoria). With Otto, LaBruce completely reverses this idea. Otto is a complete outcast. Not only is he a zombie, but Otto is gay. He experiences what is either gay-, zombie-, or gay zombie-bashing and generally not accepted by society.

Another of LaBruce's interesting cinematic choices is presenting Medea's lesbian lover, Hella (Susanne Sachße) as a silent film character. Hella is always presented in grainy black and white and her dialogue is even replaced with intertitles. Medea and other characters are still presented in full color even while the black and white Hella is sitting right next to them. As a film studies major, I am forced to attempt to find the symbolism/hidden meaning behind presenting Hella as such. However, I have come to the conclusion that LaBruce was simply attempting to present Hella as a specific type of character from the silent film era and he does so with clever blatancy.

Otto is not what most people would consider as entertaining. Otto is not what most people would consider as art. If you watch the film thinking that you will hate it, I can guarantee with complete certainty that you will hate it. Watch this film with an open mind, and don't take it too seriously or literally. Network and American Beauty are praised because they work on two levels. They exaggerate the existing conventions of Hollywood cinema in order to criticize whereas Otto cinematically breaks free of the zombie genre in its criticism. As Dr. Marco Abel would say, whether or not you like the film is irrelevant. Otto is a entirely original piece of art.

Read more IMDb reviews


Be the first to leave a comment