Maisie Goes to Reno


Comedy / Romance

IMDb Rating 6.2 10 381

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Uploaded By: FREEMAN
February 08, 2021 at 09:48 AM



Ava Gardner as Gloria Fullerton
Ann Sothern as Maisie Ravier
Tom Drake as Sgt. William
Ray Teal as Policeman
720p.WEB 1080p.WEB
824.44 MB
English 2.0
23.976 fps
1 hr 29 min
P/S 15 / 40
1.49 GB
English 2.0
23.976 fps
1 hr 29 min
P/S 19 / 55

Movie Reviews

Reviewed by blanche-2 6 / 10

Maisie tries to stop a divorce

In "Maisie Goes to Reno," our usually effervescent Maisie is burnt out working in a wartime factory and is sent on a vacation by her doctor. She accepts an offer to sing with her old band in Reno and relax by day but finds that in order to get there, she has to buy the ticket of a woman who's decided not to go. A soldier sees the transaction and begs Maisie to help him. Initially, he wants her ticket but when an MP informs him that his unit has been called in, he asks Maisie to take a note to his soon to be ex-wife in order to stop the divorce.

In Reno, Maisie discovers that the man's wife (Ava Gardner) is being duped by two con artists into believing her husband just wants her money. Maisie herself becomes involved with an employee in the hotel casino (John Hodiak).

Sothern does a fun rendition of "Panhandle Pete," Gardner is ravishing, and John Hodiak was never handsomer. Most of the "Maisie" series was pleasant without being overwhelming, though perhaps some of the earlier films were better. This one is okay, worth it to see Gardner and Hodiak in early roles - and of course, the always wonderful Sothern.

Reviewed by bkoganbing 5 / 10

Maisie Will Fix

Maisie Goes To Reno finds Ann Sothern initially being Rosie the Riveteer at a defense plant. But when she starts getting snappish with her fellow workers and develops a nervous wink that other people throughout the film keep misinterpreting she gets on doctor's order a two week paid vacation in Reno. Salary and a chance to sing at night with Chick Chandler's Orchestra at one of the casinos.

Right there was a problem and I'm sure audiences must have vigorously scratched their heads and wondered how they could get to work in Maisie's factory. Some doctor might have prescribed a rest period, but a vacation with salary, that was just plain ridiculous for all the Rosies in the audience.

But on the way she gets involved with a young soldier Tom Drake who is on his way to Reno to divorce his wife. However Drake gets orders to go to his new camp and his leave is canceled. He gives Sothern a letter to deliver to the wife pleading for a second chance.

Maisie does as she's asked, but when she delivers the letter to Marta Linden she soon after smells a rat. In fact there are three rats in the picture. But no one wants to believe her. All I can say is that Paul Cavanaugh, Linden, and Bernard Nedell have a very interesting scheme afoot.

John Hodiak is also in the film, but he's thoroughly wasted in the part of a casino croupier who befriends Sothern. He was an up and coming player just as Tom Drake was with MGM at the time. Neither had the career of top stardom although both later turned in some really good performances.

However this was a film that also showcased Ava Gardner whose role I won't mention because that would give things away. She and Ann Sothern singing a nice rendition of Panhandle Pete are the best things that Maisie Goes To Reno has going.

Reviewed by JohnHowardReid 10 / 10

Only Metro-Goldwyn-Mayer could dress up a "B" movie with such style and finesse.

Director: HARRY BEAUMONT. Screenplay: Mary C. McCall Jr. Story: Harry Ruby and James O'Hanlon. Based on the character created by Wilson Collison. Uncredited screenplay contributors: Harry Clork, Howard Emmett Rogers. Photography: Robert Planck. Film editor: Frank E. Hull. Art directors: Cedric Gibbons, Howard Campbell. Set decorators: Edwin B. Willis, Helen Conway. Music: David Snell. Songs by Ralph Freed and Sammy Fain. "Panhandle Pete" number choreographed by Sammy Lee. Additional photography: William Daniels. Unit manager: Hugh Boswell. Assistant director: Charles O'Malley. Sound supervisor: Douglas Shearer. Western Electric Sound System. Producer: George Haight.

Copyright 20 July 1944 by Loew's Inc. A Metro-Goldwyn-Mayer picture. New York opening at Loew's State: 28 September 1944. U.S. release: September 1944. U.K. release: November-December 1944. Australian release: 22 February 1945. 9 reels. 8,069 feet. 90 minutes. U.K. release title: YOU CAN'T DO THAT TO ME.

SYNOPSIS: Maisie goes to Reno? Before seeing the picture, we presumed she was dying to get a divorce from the schnook she married in Ringside Maisie. No? What's she doing in Reno, then? Oh, I see. She's taking a well-earned rest from that super-boring airplane factory job featured in Swing Shift Maisie.

NOTES: The 8th of the nine Maisie pictures.

COMMENT: Needless to say, this entry, the best of the Maisie pictures was also one of the least popular with audiences. The cast is great. John Hodiak who had a small role in the previous entry has a different part in this one, but it's the lead. Hodiak was always one of my favorite actors. Rejected by the armed services because of the hypertension that eventually led to his fatal heart attack, Hodiak always invested his performances with an appealing intensity. A sort of middle-class equivalent of John Garfield's firmly working- class protagonist, Hodiak always gave the impression of playing on the edge. He always invested his characters with depth — no matter how superficially they may have been written.

And of course there's Ava Gardner, definitely Hollywood's top siren as far as I'm concerned. You can keep your blonde pin-up girls. Ava Gardner, like Simone Simon and Ingrid Bergman, always projected class, with a capital "C". Admittedly, her role is small, but vital. She plays it with total conviction and looks most attractive too. (Maybe William Daniels photographed her scenes?)

I could go through the rest of the cast, ticking through the performers one by one, but I'll content myself with praising Byron Foulger. Always a number one character player with me since I first caught him as Professor Henderson in the Universal serial, "The Master Key". In fact for years, not knowing his real name, I used to call him, Professor Henderson. Here Foulger gives us a comic near- sighted psychiatrist, a delicious impersonation that raises more laughs in ten minutes than Miss Sothern contrives in the entire picture.

As for the director, Harry Beaumont, a neglected master if ever there was one. You don't agree with me? I appeal to Orson Welles. Isn't Harry Beaumont one of the greatest? Orson fidgets. He knows what I'm getting at. But he's eventually forced to admit that he greatly admired Beaumont's handling of the courtroom scene in this movie. So much so that he imitated it, throwing in a few more tricks for "The Lady from Shanghai".

But these are not the only terrific moments in Maisie Goes to Reno. With a plot fashioned by Harry "Three Little Words" Ruby and James "Calamity Jane" O'Hanlon, we know to expect the delightfully unexpected. For instance, what about that running gag with the little black dog? And what about the delightful "Panhandle Pete" number? And how about the usually meek Donald Meek as a wonderfully grouchy manager with no warmth in his testy heart at all?

Production values with their big crowd scenes at the bus depot, the hotel and the court-room are mighty impressive. Only Metro-Goldwyn- Mayer could dress up a "B" movie with such style and finesse.

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