Between Midnight and Dawn


Crime / Drama / Film-Noir / Thriller

Rotten Tomatoes Audience - Spilled 22%
IMDb Rating 6.5 10 467


Uploaded By: FREEMAN
May 27, 2021 at 06:57 AM



Gale Robbins as Terry Romaine
James Brown as Officer Haynes
Gale Storm as Katharine 'Kate' Mallory
Mark Stevens as Officer Rocky Barnes
720p.BLU 1080p.BLU
818.08 MB
English 2.0
23.976 fps
1 hr 29 min
P/S 0 / 4
1.48 GB
English 2.0
23.976 fps
1 hr 29 min
P/S 5 / 11

Movie Reviews

Reviewed by robert-temple-1 9 / 10

First-rate police crime drama with excellent script

This is a superb crime drama featuring two buddy cops, excellently played by Mark Stevens and Edmond O'Brien. O'Brien's performance is especially marvellous, and he was really in his stride. Three years later he would be tapped by director Ida Lupino to star in 'The Bigamist' (1953), which was surely the greatest performance of his career. He 'really had it in him' despite not being the leading man type, and he should have won more than just one Oscar in his career. This film is helped by a sensationally good screenplay by Eugene Ling. It is packed with excellent one-liners and gags, and has a lot of well-judged humour, even though it is a tense and noirish crime thriller, with a lot of police procedural background. At one point, one of the cops thrusts a bill into the breast pocket of a hood's jacket and says: 'Here, buy yourself a new head, one with a brain in it.' Salty comments like that run all the way through. Modern screenwriters have absolutely no idea how to write wisecracks which work when spoken, it is a lost art, and this is one reason why so many contemporary films are so lacklustre and dull. The chief 'hood' in this story is a criminal played by Donald Buka, who is so eerily convincing as a crazed crook, with his relentless eyes and severe case of lockjaw that one's spine tingles menacingly. Gale Storm is the wholesome love interest who has to overcome the psychological trauma of her policeman father having been killed on duty, and can she get involved with a cop and risk all that pain again. It is a good solid story. Buddy cops really can be just like that. My best friend from school became a sergeant on the D.C. police force, and I used to ride around in his patrol car with him and his buddy while on duty, visit the jails and chat to the latest prostitute arrests, hang around with the cops in his precinct at the station, and exchange gags and joke with them about the street corner drug-pushers ('candy-men'). Banter was the order of the day, as it is the only way to keep sane on a big city US police force, with enforced familiarity with human vermin on a daily basis. Two nice guys really can drive around, responding to calls, draw out their guns and shoot violent criminals, bring people in in handcuffs, and then sit and have a quiet hamburger and roar with jokes with their pals. Mark Stevens and Edmond O'Brien are wholly convincing as buddy cops, mixing toughness with tenderness, and it is obvious that they were copied in hundreds of later television dramas. This was undoubtedly a seminal film which had enormous influence on the film industry. It is very entertaining to watch, though some people will bite their nails anxiously in between the jokes, as portions of the tale are extremely harrowing, especially when a little girl is held hostage by a mad gunman and dangled out of a high window to prevent the police firing at him.

Reviewed by Rathko 7 / 10

Noir gets a Sense of Humour

An American Cinematheque presentation at The Egyptian.

B-movie, second-feature that plays as a cross between classic noir and serial melodrama. As such, it's easy to see how it's often credited with being a predecessor of the police procedural.

Stevens and O'Brian play two likable LAPD patrol cops. Gale Storm the wholesome new dispatch girl who keeps their attention at night. Most of the movie deals with the growing and affectionately written romance between Stevens and Storm, making the whole thing seem at times like a vintage episode of 'Payton Place'. But make no mistake, we're in noir territory, and it's only a matter of time before we're dealing with gangsters, their molls, heartbreaking tragedy and small children being held from eighth floor windows.

The leads are so charismatic, and the writing so sharp, that it's almost impossible not to like this film. Another little post-war gem of a movie.

Reviewed by kidboots 9 / 10

Prowl Cars!!!

Like a previous reviewer, I also like Gale Storm. I can still remember the theme music to her early TV show "The Gale Storm Show". Years later when I saw some of her older films I was struck by how pretty she was as well as being a terrific singer. Even in a Frankie Darro movie ("Let's Go Collegiate" I think) where she only tagged along, she really stood out, especially when she sang. Just imagine if she had been with MGM in some of those heady musicals with grade A productions as well as being surrounded by big stars, she would have really reached the top. But unfortunately she was trapped at Monogram and by the end of the 40s when she was starting to get a few interesting dramatic roles television beckoned. The star of this movie, Edmond O'Brien, was also terribly under-rated, in my opinion - it was his "ordinary guy" looks and lack of artifice in a decade of pretty boys (Robert Taylor, Tyrone Power) that probably kept him from stardom.

It was films like this one that set the high moralistic tone that was followed by TV shows such as "Dragnet", "Lock Up" and "Racket Squad". "Between Midnight and Dawn" attempted a very realistic portrayal of patrol men on the beat and their private lives, complete with the banter and wisecracks that in their stressful work environment they couldn't survive without (they called each other the "gruesome twosome"!!). Barnes (Mark Stevens) and Purvis (O'Brien) are a pair of "prowl car" cops who work the midnight to dawn shift. Barnes still has his humanity but Purvis is hardened, especially when it comes to "low dirty dames" who are involved with the scum of the street!!! A young girl caught up in a burglary gets no sympathy from hard hearted Purvis. His philosophy is that in a year's time she won't be so innocent!!! Barnes is shocked at his partner's attitude.

One thing they both agree on is the honeyed tones of the girl on the switchboard - a girl they have never seen!! Kate turns out to be just as beautiful as she sounds (how could she help it, being Gale Storm)!! and she is also the daughter of a policeman slain in the line of duty. That means initially she is firm in her resolve not to date policemen but of course she is talked around. I felt at first she was drawn to Purvis, but his steely and rough approach especially during a scene where he slaps singer Terry (Gale Robbins) silly to get her to talk, really shocks Kate. Of course with Edmond O'Brien at hand, she is not really going to end up with Barnes. He is neatly disposed of about 3/4 of the way through. Purvis then has about half an hour to find his sensitive side which he does, in a shootout involving a small child and Terry, whose actions cause him to have a major rethink about his attitude and his approach to his work!!

I would really recommend this terrific little movie, could it have been one of the first films to show the unglamorous policing of "prowl car" men?? And also the pity that Edmond O'Brien didn't get the acting kudos he so richly deserved!!

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