Alice's Restaurant


Action / Comedy / Drama / Music

Rotten Tomatoes Critics - Certified Fresh 63%
Rotten Tomatoes Audience - Spilled 60%
IMDb Rating 6.3 10 3993


Uploaded By: FREEMAN
April 01, 2021 at 03:19 AM



M. Emmet Walsh as Group W Sergeant
Graham Jarvis as Music Teacher
720p.BLU 1080p.BLU
1017.96 MB
English 2.0
23.976 fps
1 hr 50 min
P/S 3 / 3
1.84 GB
English 2.0
23.976 fps
1 hr 50 min
P/S 2 / 6

Movie Reviews

Reviewed by hokeybutt 7 / 10

The First Full-Length Motion Picture Music Video?

ALICE'S Restaurant (3+ outta 5 stars) Maybe not one of the best movies of the '60s but it is definitely worth checking out... as a sort of time capsule if nothing else. This was an "establishment" movie designed to cash in the popularity of the then-popular folk song by Arlo Guthrie. They got Arlo to star as himself... as well as several of his actual friends and acquaintances of the time... even the actual police officer who arrested him for the incident described in the song. Considering its mercenary intent the movie is a lot better than it has any right to be. This may not be one of director Arthur Penn's best movies but he definitely gets the most out of the concept. Guthrie now says that the movie is more of a version of what the straight world *thought* the hippie movement was all about rather than what it was *actually* about... with that in mind the movie still paints a pretty good picture of the times. Guthrie is a low-key performer but he definitely has some screen charisma... resembling a baby-faced Bob Dylan at times. This could be considered one of the first full-length motion picture music videos.

Reviewed by j-knutsson 9 / 10

One groovy flick

This excellent film was written by my late screen writing teacher Venable Herndon, but I saw it and fell in love with it long before I took his class.

It manages to be both good humored and effortlessly profound at the same time. The recruitment scenes are hysterically funny. I miss movies with this laid-back quality. A lot of people are adverse to this type of loose narrative structure, but since almost every flick and TV show has such a rigid structure why can't the rest of us have a couple of films to ourselves.

The final shot of Alice's Restaurant with all its beautiful ambiguity has affected me more than the final shot of the "Searchers" every time I've seen it. It manages to celebrate something and take it with a grain of salt at the same time. Hurrah for the director of photography!

A beautiful trip all round.

Reviewed by Woodyanders 8 / 10

A tad uneven, but still quite good

Arlo Guthrie's hilariously mordant 20 minute story song gets adopted into an affably whimsical, episodic, occasionally funny and ultimately quite downbeat and sobering free-form feature by director Arthur Penn that astutely captures the key issues and concerns of the 60's hippie counterculture: dodging the draft, smoking grass, getting hassled by the pigs, being persecuted by grossly intolerant, narrow-minded, repressive straight conformist squares, trekking all over the country to find your true self, and defying everyday social conventions so you can do your own thing, man. The rambling, just barely there plot centers on the winningly droll, breezy and irreverent Guthrie's pilgrimage through the counterculture, a bizarre, eventful, eye-opening journey of self-discovery that reaches its peak when Arlo gets arrested for illegally dumping trash, thus making Arlo ineligible for wartime service in the army due to his disreputable status as an unrehabilitated criminal (the scenes at the army center are riotous, with M. Emmet Walsh in a gut-busting early role as the gruff Group W sergeant whose staccato motormouth way of talking renders everything he says incomprehensible).

Police chief William Obanheim appears as himself and proves to be a hugely likable good sport by allowing himself to be the endearingly humbled recipient of a few right-on japes made about uptight authority figures. "Glen and Randa" 's Shelley Plimpton has a nice cameo as a cute groupie who hits on Arlo at a party. The film's precise, clear-eyed portrait of the painfully gradual disintegration of flower power idealism and the cynicism and disillusionment that followed in its wake nowadays seems all too grimly true and prescient, with the volatile relationship between vulgar, boorish, obnoxious swinger James Broderick and his frustrated, irritated wife Pat Quinn (they play Ray and Alice Brock, the owners of the titular restaurant) brilliantly reflecting the turbulence and capriciousness of the period. Somewhat erratic and uneven, with a shaky tone that uneasily shifts between comedy and drama, this quirky, laid-back, naturalistic historical curiosity piece provides a lyrical and poignant time capsule of the 60's that for all its admitted imperfections nonetheless remains haunting and effective.

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