317. osasto

1965 [FRENCH]

War

3
IMDb Rating 7.5 10 953

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Synopsis


Uploaded By: FREEMAN
February 09, 2021 at 05:27 PM

Cast

720p.BLU 1080p.BLU
870.03 MB
1204*720
French 2.0
NR
24 fps
1 hr 34 min
P/S 25 / 62
1.58 GB
1792*1072
French 2.0
NR
24 fps
1 hr 34 min
P/S 15 / 54

Movie Reviews

Reviewed by mathieu.dalet 10 / 10

The best film about a forgotten war

After the Dîen Bîen Phû's defeat in may 1954, which marked the end of French sovereignty in Indochina, a small group of French soldiers in an isolated stronghold try to avoid capture by crossing the enemy's lines to join their main forces. In this journey few will survive.

Former war correspondent during this conflict, Schoendoerffer filmed this movie in a so realistic way that it seems to be a document shot during the battle. But unlike many war movies, this one is not only based on the visual and sound effects. Its interest lies in the portray of the two main characters.

Torrens, the young, unexperienced and idealisic lieutenant (played by Jacques Perrin) who has volunteered to serve a lost cause and die for it. He has the intelligence of letting Willsdorf lead the troops, seems lost at first in the middle of this human wreckage but shows courage and strength when needed.

Willsdorf, the experienced "adjudant" (sargeant), a veteran worshipped by his men. Since WWII when he was enlisted in the German army ( he comes from Alsace, a german speaking part of France claimed by Germany), he has experienced many battlefields. He loves Viet Nam, her people and her culture but knows that everything is lost and that he'll have to abandon it soon. But in spite of that he has a mission to fullfill, save as many of his men (mostly vietnamese partisans) as possible and he intends to achieve it.

In just 90 minutes we learn everything about them, their weaknesses, ideals and hidden secrets which make them simples human beings trying to survive in the middle of a mad world.

Of course some will say that this movie promotes war, violence and the romantic heroes made for it (Willsdorf)while his only aim was to testify about a forgotten war and all of those who fought in it, whatever their flag.

Definitely the best movie about the Indochina war.

Reviewed by zablotf 10 / 10

Still used for the infantrymen training

This movie is so close to the reality that, in the French Army, it is still used for the instruction of the young infantry platoon commanders. Notably the management of the NCOs, usually older and more experienced than the Lieutenant fresh from the Academy, is an interesting issue. And nearly all the basics of the infantryman on the battlefield are there. Keep in mind that Schoendorffer was a war correspondent within the French Army in Indochina at that time. The DVD version of the movie is now available (at least in France). Charlie Bravo (1980) is another French movie that depicts a similar story, but with less talent and less realistically.

Reviewed by oOgiandujaOo_and_Eddy_Merckx 9 / 10

Song for the lost

La 317ème section is a movie about a French/anti-communist platoon that gets separated whilst up country during the Vietminh offensive against Dien Bien Phu.

The movie's two main advantages are that the director was an ex-combatant in that war, and Raoul Coutard, who was one of the great New Wave cinematographers.

The story concerns a green lieutenant, Torrens, thirsty for battle, brave and intelligent, though seemingly an adventurer from another century, and his seasoned adjutant Willsdorf, Alsatian Wehrmacht veteran. Many other films have used this formula, a classic principal-agent problem that genuinely occurs in conflicts, but used it as a metaphor for classism, and exaggerated matters.

If you look at Hollywood treatments of either the Korean War or the Vietnam War, particularly around this era, you genuinely see that there is absolutely no understanding of the naturalised inhabitants of the country. Even where there is good will, these productions remain opaque. Willsdorf however genuinely seems to have a feel for the people and how they live. He senses a more poetical way of living, which he respects, but which is clearly ripe for exploitation. There's a piece of dialogue where he mentions how the trees of the forest will soon turn red for Autumn, and that when they do the locals will drink, dance, make love and celebrate, and you sense part of him wants to join with that, wants to find a nook in a river bend where he can set up house.

What these individuals are though, as literally shown in the opening credits, are soldier ants in the forest, their lives are expendable. They are men who live in a man's world without the comforts of home, and take their pleasures where they may, they can only hope to do their duty and lay down and die, and may as well embrace what they do and who they are. It's not a "war is madness" movie, but it is terribly sad, and I was just sorry for Willsdorf that he wasn't sipping a nice Riesling back home after tucking his children into bed. It seems that by being totally apolitical the film manages to leave room for you to come to the conclusion that imperialism is deeply aberrant.

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