The Pirates of Penzance

1983

Comedy / Musical / Romance

9
Rotten Tomatoes Critics - Certified Fresh 81%
Rotten Tomatoes Audience - Upright 83%
IMDb Rating 7.1 10 3231

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Synopsis


Uploaded By: FREEMAN
October 13, 2018 at 11:16 AM

Director

Cast

Kevin Kline as The Pirate King
Rex Smith as Frederic
Linda Ronstadt as Mabel Stanley
720p.BLU 1080p.BLU
974.82 MB
1280*544
English 2.0
NR
23.976 fps
1 hr 52 min
P/S 1 / 3
1.81 GB
1920*816
English 2.0
NR
23.976 fps
1 hr 52 min
P/S 2 / 9

Movie Reviews

Reviewed by cspschofield 10 / 10

A great film, but beware!

Gilbert and Sullivan titles, like Shakespeare, are far too easy to do badly. They can fall into 'traditional' ruts that rapidly drain all the life out of them. This is why THIS Pirates of Penzance is such a treat. The production team obviously recognized that the whole story is absurd, and so they had fun with it. They took their work seriously, but not (the kiss of death) pompously. The result is wonderful.

HOWEVER: be warned that there IS a DVD of Pirates of Penzance with ALMOST the same cast. It was filmed/taped on Broadway as part of an archival project while the production that inspired the movie was on stage. IT IS SIMPLY AWFUL!

It may well serve its original purpose as a reference for professionals, but the camera work is so bad as to be almost unwatchable. It totally spoils what looks like it may well have been a charming production - at least I assume it was; it inspired a wonderful film, but you just can't tell from the DVD.

Reviewed by swansong-2 10 / 10

Magical...simply magical

Ah, Gilbert & Sullivan, how do I love thee? Let me count the ways! This movie is pure fantastical enjoyment. The cast is an absolute joy, especially Kevin Kline as the Pirate King. Kline is truly one of the most over-looked and under-appreciated actors of our time. His ability to convey his characters through body language, facial expression, and voice is unparalleled. He is one of my favourite actors, and he plays the Pirate King to the hilt -- what a lark!

The vocal talent in this film adaptation of the stage play is phenomenal! I have never heard a more beautiful, powerful, yet sensitive male voice as Rex Smith's, and Linda Ronstadt is, of course, pretty as a picture as Mabel. Angela Lansbury may not have as fabulous a voice as the rest of the cast, but her characterization of Ruth more than makes up for it. Tony Azito absolutely cracks me up as the Chief of Police, those "undaunted men in blue" make me laugh every time.

The one person that everyone seems to forget, however, is the one whose performance I enjoyed even more than Kline's -- and that's saying something. George Rose as the Major-General is perfect, and I never laughed so hard at an individual character as I did when he was tiptoeing through the tulips with the pirates in close pursuit! What a hoot!

This movie is truly a classic, and it's a shame that it's been so overlooked. I finally managed to tape it off the TV one night, since I've never managed to find it on video (other than for rent), and I've watched it so many times, I may have to re-tape it soon. All of the subtle (and not-so-subtle) G&S jokes are a true joy, and the music is pure magic. If you love musicals, you HAVE to see this movie!!

Reviewed by bbhlthph 8 / 10

Gilbert and Sullivan still have a strong and legitimate appeal

History records that Gilbert and Sullivan were personally often at odds when producing their great comic operettas - no doubt that, if they are still monitoring this, they are surprised to find both their humour and their music - despite its limitations in both time and location - still has a great appeal to audiences throughout much of the world. The music of course is timeless, but music too evolves and many people today have no appreciation of the types of lyrics which G & S exploited so shamelessly. Perhaps the remarkable thing is the wide and continuing appeal of so many of their works. This film is a movie version of a 100th anniversary Broadway stage production of this operetta in New York. A review of previous comments show, not unexpectedly, that it has been adored by numerous G. & S. fans; but that its appeal to those who are not in this category is much more limited. They also make it clear that this is a very fine production; and it would be a serious omission if I did not re-emphasise it is almost a classical example of the way in which a major stage production should be presented on film, both to retain the best of the original production and to as fully as possible exploit the more fluid form of presentation that is possible on the screen.

To your reviewer who reports fears about wearing out her taped version, I would recommend doing what I have done and converting this to a VCD disk that she can play, almost for ever, on her DVD player. It is, I believe, a great film; and my wife and I have also viewed it repeatedly whenever we have been a little "blue", we never fail to feel cheered up afterwards. However we recognise that most members of the contemporary generation would not respond in this way, and that our appreciation will not even be understood by them. We remain thankful that minority tastes can still be satisfied without infringing on the perogatives of the majority, and that in the process of doing so the film will be seen by many who initially have little sympathy with the production, but who find that - as with so many of us in the older generation - they have come to appreciate both its music and its humour.

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