The Escapist


Action / Crime / Drama / Thriller

Rotten Tomatoes Critics - Certified Fresh 64%
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 6.7 10 16302

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Uploaded By: FREEMAN
November 13, 2020 at 01:16 AM



Damian Lewis as Rizza
Brian Cox as Frank Perry
Joseph Fiennes as Lenny Drake
Dominic Cooper as Lacey
720p.BLU 1080p.BLU
933.43 MB
English 2.0
24 fps
1 hr 41 min
P/S 1 / 8
1.87 GB
English 5.1
24 fps
1 hr 41 min
P/S 2 / 6

Movie Reviews

Reviewed by thomasthetanker 9 / 10

Gets my vote

I didn't vote on any films in 2008. There were plenty of decent films but nothing made me want to post on IMDb, whatever I want to say has always been put more eloquently by someone else. But this film deserves credit, naturally I checked here before I watched but afterwards I felt compelled to demonstrate some appreciation. No, you moron posters, it is NOT Prison Break, neither is it trying to be. After it finishes you'll want to watch it again. It looks real and gritty definitely not studio. I don't know enough about film to tell you if it was the script, acting, filming or anything else, it took me to a different place - Isn't that what we want most in a film?

Reviewed by sundevil27 8 / 10

A Great Escape

Seen at Sundance Premiere 2008. Within the first 2 minutes of the Escapist you know your buckled in and you won't be getting up till the credits start rolling, and thats just how it is. In the tradition of the Bird Man of Alcatraz, Great Escape, Cool Hand Luke and other greats of the prison break genre you can add the Escapist. The feel is modern but the setup is old school and true to the genre in a familiarly comforting way. Director Rupert Wyatt has created a fantastic action film with intelligent sequencing and a meaningful ending that makes you remember its indie roots. What is even more amazing though is the (((sound))) , it is insane! The sounds of the prison are so real and chilling in their quiet way, then when the action hits its like a tidal wave of sound hitting all you senses. Rarely does a new flick come along with such wide potential that brings new ideas and old ones together so well. I'm left extremely impressed by all involved. Movie will be best seen on the big screen with high quality sound, I imagine American audiences will not show this as much love as they should do to the lack of big names but I suspect the UK will embrace this very well.

Reviewed by drcath 10 / 10

"It's our imagination that makes us free…"

Frank Perry (Brian Cox) is a long term prisoner in a London jail where the guards look the other way and one would be wise to avoid the attentions of Rizzo (Damian Lewis), the boss inmate and his unhinged junkie brother Tony (Steven Mackintosh in scenery chewing form). The arrival of a new cell mate, Lacey (played by newcomer Dominic Cooper) coincides with Perry receiving the first letter from his family in fourteen years. His daughter is a heroin addict and close to death. Perry decides he must get out, to see her and make things right while there is still time. He goes to his closest friend Brodie (Liam Cunningham) and they enlist on-the-edge pugilist and thief Lenny Drake (Joseph Fiennes) to put together their plan.

But the film begins with the escape, cleverly setting up many questions in the head of the viewer, which are then answered in flashback. We want to know why Frank starts the escape attempt what appears to be a stab wound, how drug dealer Viv Batista (Seu Jorge) gets involved and why Lacey is part of the team when he has arrived in the prison so recently. The answers come, but slowly so that it's only at the very end that the little hints and clues scattered through the story of the escape attempt itself make sense.

This structure and the final plot twist would alone make this film worth repeat viewing, but not just for that. Writers Daniel Hardy and Rupert Wyatt (Wyatt also directed) let images rather than words do the talking, and with a cast of this calibre it pays off brilliantly. The actors are allowed to use their faces and bodies to tell us the story: Brian Cox letting his face fall into a pile of regret when he reads the letter, Damian Lewis's posture as he walks past the cells to find out what happened to his brother, the tiny shifts of expression on Dominic Cooper's face as he relives his forced dalliance in the showers with Tony, from self pity to self hatred and back again. It's top notch stuff.

Comparisons with "Shawshank Redemption" are inevitable, but while "Redemption" was really a story about hope, "The Escapist" is actually a film about redemption, about the single unselfish act that can redeem wasted years, perhaps a wasted life. And, as Perry points out, that we're only as free as we allow ourselves to be.

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