Stolen

2009

Crime / Drama / Mystery

3
IMDb Rating 6.1 10 5401

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Synopsis


Uploaded By: FREEMAN
November 24, 2020 at 09:01 PM

Cast

Jessica Chastain as Sally Ann
Rhona Mitra as Barbara
Jon Hamm as Tom Adkins Sr.
James Van Der Beek as Diploma / Rogianni
720p.BLU 1080p.BLU
838.48 MB
1280*512
English 2.0
R
23.976 fps
1 hr 31 min
P/S 1 / 7
1.68 GB
1920*768
English 5.1
R
23.976 fps
1 hr 31 min
P/S 4 / 3

Movie Reviews

Reviewed by Lejink 4 / 10

Fifty years on...

This thriller, starring "Mad Men's" John Hamm, while watchable, ultimately fails through implausible plotting and the contrived use of coincidence.

Consider Hamm's anguished cop, who, at a Fourth of July pageant, in the mere minutes it took him to go to and from the toilet in a diner establishment, finds the son who accompanied him has apparently disappeared as if into thin air, never to return. It later transpires that he encounters the perpetrator just outside the diner, so how has he managed to spirit away his son and got back to the pageant in those mere minutes?

Years pass, with Hamm unable to get over his loss and attendant guilt, the emotional distance between him and his wife widening close to separation point, when a child's body is unearthed, bearing similarities to his own child and immediately throwing suspicion on a long-interred suspect. The movie then moves back and forth in time from the present-day to 1958 where we see enacted the story of the disappearance (thankfully, there are no scenes depicting the actual murder of the children) of the first child and the truth is gradually brought to light as the stories converge.

That's quite a lot to bring together in a mere 90 minutes and after all the exposition, the ending is wound up in double quick time, with a too blatant slip by the murderer and too easily obtained subsequent confession. I also thought the 1958 story was more involving, if more implausible than the present-day one, contriving a "Postman Always Rings Twice" dalliance between the father and a local femme-fatale, complete with jealous husband, unbalancing the narrative, although the transitions between the two time-frames were cleverly done, with dissolves on the shared crime-scene exhibits.

The acting was okay, Hamm jutting his jaw and running his hand through his hair in familiar angst-ridden fashion, although I thought the better acting was done by Josh Lucas as his 1950's counterpart, conveying just the right composite of Henry Fonda crossed with James Stewart as the drifter at the mercy of fate, while Morena Baccarin and James Van der Beek playing respectively the slack wife and the murderer made strong, if brief impressions too.

In the end, this was a fairly routine thriller, lacking somewhat in tension, characterisation and credibility, with more of the aspects of a TV movie than Hollywood feature. I don't think I'd pay to watch it, seeing it on the small-screen seemed about right.

Reviewed by dickklip 10 / 10

Very good mystery movie

My wife and I found this on our pay per view channel, and from the synopsis, thought it looked worth watching. We were not disappointed. This is a very good film, in the genre of "Chinatown" and "Changeling". The story (without spoilers), is briefly as follows:

A police detective (John Hamm) has lost his only son eight years earlier, when he went to the restroom in a diner. The usual guilt and strain on his marriage ensues, as he tries to go through life with this unsolved mystery haunting him.

He is drawn into a case of another missing child, and becomes obsessed with that search, to try to find some vindication for what has happened to him. Throughout this exploration, the story is told in two stories, of him and the father of the other missing child, creating parallels, and differences in the two cases.

Eventually the dots connect and lead to a very dramatic ending. although it's a little too neatly tied up.

This is a very entertaining movie, which grabs your interest from the start, engages you with the duplicate stories throughout, and provides some twists and turns at the end, for added effect.

I really enjoyed it and am surprised that it wasn't released theatrically, as I think it is much better than the current "Ghost Writer", for example. It's a good mystery tale, and very worth watching!

Reviewed by gradyharp 7 / 10

Duplicity: Parallel Lives, Parallel Loses

STOLEN is a small budget film that deals with a major problem - loss of a child by abduction and the desperate need to find that child despite the passage of many years. Writer Glenn Taranto and Director Anders Anderson present two cases of kidnapping and murder, space them fifty years apart and interconnect the two stories in a way that is both disturbing psychologically and confusing as a film. It works on many levels and the absence of information about motivation interferes with allowing this movie to be more powerful.

Ten years ago police officer Tom Adkins, Sr (Jon Hamm) left his only son Tom Jr. in a diner for a moment, only to return and find him missing. His abilities as a law enforcement officer and his guilt as a 'negligent' father erodes his life and his marriage to Barbara (Rhona Mitra): he is unable to give up the search for his missing son despite the ten years of absence, a factor that practically drives his marriage to divorce. A body is found in a box and Tom Sr immediately thinks it is his son, but investigation reveals that it is the body of a child that has been dead for fifty years. The film then begins a series of flashbacks to a story fifty years ago when a young father Matthew Wakefield (Josh Lucas), having lost all of his money and home and facing the resultant suicide of his wife decides he must place his three children with relatives: one son, John (Jimmy Bennett), is mentally challenged, and Matthew's relatives will only take the two 'normal' boys, leaving John to live with his unemployed father. Matthew finds a room for the two of them and begins works at a construction site, John tags along to be with his dad - a problem for the boss of the construction site. Matthew forms friends with Diploma (James Van Der Beek) and Swede (Holt McCallany), is diverted by a sexual liaison, and during that time John is abducted. We lose track of Matthew at this point, but jumping back to the present the discovered boy's body proves to be John Wakefield and this discovery consumes Tom Sr to uncover the murderer of the Wakefield boy, hoping that in some way it ties in with the disappearance of his own son. The plot becomes a bit murky at this point and a bit to 'rush to climax', but needless to say the murders are connected and Tom Sr and his wife are able to come to grips with the fact that Tom Jr is lost forever.

The film is shot in a a somewhat sepia color when dealing with the murder of fifty years ago and remains dusty appearing through the present - not unlike the soil that has hidden the uncovered truths so well. The acting is fine, with some very fine cameo appearances by Johanna Cassidy as Tom Sr.'s mother and Jessica Chastain and Rose Montgomery as the feminine influences. The makeup artists have done the film a disservice as they try to age people fifty years as the film winds down: to say more would be to give away the ending. But the reason the film works is the commitment behind relating these tragedies on the part of all concerned. It is especially noteworthy in that it is the work of a relatively inexperienced writer and director.

Grady Harp

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