Our Mother's House


Action / Drama / Thriller

Rotten Tomatoes Critics - Rotten 60%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 7.3 10 1733

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Uploaded By: FREEMAN
November 23, 2020 at 12:07 AM



Mark Lester as Jiminee
Dirk Bogarde as Charlie Hook
720p.BLU 1080p.BLU
916.23 MB
English 2.0
25 fps
1 hr 39 min
P/S 0 / 4
1.66 GB
English 2.0
25 fps
1 hr 39 min
P/S 4 / 2

Movie Reviews

Reviewed by info-6947 7 / 10

Terrific, atmospheric film

I was actually an extra in this film, as the school scenes were filmed at my junior school, St Leonards Church of England School in Chelsham, Surrey. I remember having to wear my best school uniform and do as I was told. I was 8 years old, I suppose, and it was all very exciting with the lights and the trailers and all the people buzzing around. I don't remember whether we were allowed to meet the stars; I somehow doubt it!

This is a great film, very atmospheric, very spooky, and totally believable - kids in the 1960s were obviously very resourceful (and full of very odd ideas). Needless to say, I wasn't allowed to watch the film until I was much older than when I was in it.

Reviewed by Teach-7 9 / 10

A small gem

This is an unusual movie, and could well, in time, turn out to be a classic. It concerns 7 siblings left to fend for themselves in a big house after their beloved Mother dies. They bury the corpse in the back garden, and never tell anyone, because they are all under-age and fear the orphanage..

Even if dead, Mother becomes a religious mentor for the children, her thoughts being "channeled" through one of the girls in ritual, late night sessions.

They seem to manage pretty well, but things turn out ugly when the rambling, long lost "father" returns to take over the household. He wins them over, manipulates them, steals Mother's life-savings, and in a gripping finale, reveals to the children the terrible secret Mother has hidden from them.

It's a quite gruesome film, emotionally draining and heartless, an obvious comparison would be "Oliver Twist", or perhaps a dark fairytale from the brothers Grimm... At first, before the father arrives, I thought it was a Christian parable, where the mother represented the dead Jesus, and the children the acolytes and worshippers. But 50 minutes into the proceedings, it turns into something else. From then on, it's anybody's guess! Still, this ambiguity befits the story and keeps you on your toes throughout, until the sorry end.

Jack Clayton's direction is good, if rather literary, the house is a spooky, claustrophobic menace, while the child actors are uniformly excellent. You wouldn't believe young children could perpetuate audience interest in a melodramatic story like this, but, like in that other classic "the Secret garden", they do. Brilliant acting! Dirk Bogarde is supposed to be quietly menacing and evil, and he is exactly that.

Beware though, this is definitely not a film for children!

Reviewed by Thorsten_B 10 / 10

Captures the Viewer and doesn't let him go

From the first scene of the film one can already tell that there is fine cinematography. We see a girl walking the street of a suburban part of London and immediately one knows that this is a film different to many others – it's slow, it's silent, and still it's intriguing and exciting. Accompanied by an equally great musical score by Georges Delerue, Jack Claytons direction is outstanding. He presents eight children whose sick mother passes away one morning. Upon their close relationship on the one and their fear of being torn apart from each other at the other side, the children decide to keep on living `normally', as if their mother was still alive. They manage to keep up a cover story for teachers and neighbors while their relationship gets even closer. As expectable with children these age (ranging from, I'd guess, ages 3 to 12), they create their rituals (the German translation of the title is `Every evening at 9 o'clock') and manage to find a way to keep in touch with their world `before' – when the beloved mother was still live. They achieve that aim by mixing up religious belief with their childrenlike, yet never naïve `rationality'. But of course, their secret cannot be kept forever… or can it? Dirk Bogarde is great in his role because he convincingly shows the two sides of his character: Loving at one part, but altogether selfish. But credits must go to the incredible cast of children whose performances draw the viewer into the story and force him to stay there. It is one of those rare films were the audience develops real sympathy for the figures. The ending, though probably not all too surprising, is the highlight of the picture and contains a great deal of melancholy. One wonders how the story would continue – but on the other hand, everything that needs to be said is said. As other comments already stated, not a film for children, but one of the best film about children ever made; it's goal was to achieve an insight into the world of a childs mind, and it succeeds brilliantly.

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