Only 1 year after Josh Safdie's directorial debut, came the first true collaboration between Josh and his brother Benny, and it sure is noticeable. Daddy Longlegs is a perfect combination of Josh Safdie's raw tone and passion for storytelling with Benny's creativity and comedy. While they could have used the bigger budget and crew to make a more stylised, traditional Hollywood film, the Safdies have instead opted to perfect the formula that was used in The Pleasure of Being Robbed. That film's raw perspective with a hindered believability is now a completely realized and believable world. The film is so convincingly documentary, in-fact, that it becomes almost impossible to even begin to imagine the process of writing it - absolutely everything feels improvised.
All of the acting is great, especially by the kids. The brothers had to go through a very unique directing predicament: dealing with child actors, yet they handle it masterfully. Under the direction of the Safdies, the kid's youth and inexperience somehow makes them all the more believable. It seems like in order to get good performances from all of the actors, almost every piece of dialogue had to be improvised, with only what happens in each scene being decided beforehand.
The result of all of this is a movie that makes the audience feel as though they are spying on a family, that they are watching a document of something private and personal, something not meant to be seen. The intermittent tension from the father's temper and recklessness is greatly aided by the raw, documentary approach. It doesn't feel overly dramatic or cliché, but instead gives off a much more relatable feeling that both parents and children can understand, and very much fits the unromanticized nostalgia of the story. Daddy Longlegs is a character study that feels not as though it were a study of a character, but as though it were an objective documentation of real peoples' lives, leaving it up to the viewer to make a study of what they see.
Comedy / Drama
Comedy / Drama
After months of being alone, sad, busy, sidetracked, free, lofty, late and away from his kids, Lenny, 34 with graying frazzled hair, picks his kids up from school. Every year he spends a couple of weeks with his sons Sage, 9, and Frey, 7. Lenny juggles his kids and everything else all within a midtown studio apartment in New York City. He ultimately faces the choice of being their father or their friend all with the idea that these two weeks must last 6 months. In these two weeks, a trip upstate, visitors from strange lands, a mother, a girlfriend, "magic" blankets, and complete lawlessness seem to take over their lives. The film is a swan song to excuses and responsibilities; to fatherhood and self-created experiences, and to what it's like to be truly torn between being a child and being an adult.
Uploaded By: FREEMAN
November 16, 2020 at 11:48 AM