Blood of Dracula's Castle



IMDb Rating 3.5 10 980

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Uploaded By: FREEMAN
December 07, 2020 at 02:06 PM



John Carradine as George - the Butler
Paula Raymond as Countess Townsend
720p.BLU 1080p.BLU
835.67 MB
English 2.0
23.976 fps
1 hr 30 min
P/S 1 / 1
1.51 GB
English 2.0
23.976 fps
1 hr 30 min
P/S 3 / 3

Movie Reviews

Reviewed by reptilicus 6 / 10

Dracula, the henpecked husband.

This movie opens with a woman (Vicki Volante, a Joan Baez lookalike) driving along listening to her car radio. The song, "The Next Train Out" is so catchy I went around singing it for days after I had first seen this movie. Amazingly John Carradine does not play Count Dracula, even though he had recently done the role in "One Shot" Beaudine's BILLY THE KID VS. Dracula in 1966; he is George the family butler. Dracula is played by Egyptian actor Alex D'Arcy whom you can also see in HORRORS OF SPIDER ISLAND and FANNY HILL. Countess Dracula is Paula Raymond who costarred in BEAST FROM 20,000 FATHOMS and the newly rediscovered HAND OF DEATH. It seems everyone has relationship problems eventually and after 400+ years Dracula has been reduced to the henpecked husband of a domineering wife! (Hmmmm, maybe that is why John did not want to play The Count this time.)

Hiding behind the names Count and Countess Townsend the vampires live in a castle in the Arizona desert. Victims (all of them female of course) are brought to them by their cretinous henchman Mango (just where do movie villains go to finds all these hunchbacked lumbering brutes that scary movies seem to abound in?) and drained of their blood by George. They drink blood from martini glasses and wonder if they will ever be accepted in polite society. The Draculas have also got religion in this film. Thanks to George they are devoted worshipers of the Great God Luna and occasionally burn a victim alive at the stake as a sacrifice to him(her? it?).

When the new owner of the castle (Gene O'Shane) turns up with his fiancée (Barbara Bishop) the Unholy Three (I'm not counting Mango among the conspirators) try to get him to sell the castle. When he refuses all Heck breaks loose . . . well, as much as director Al Adamson's budget will allow!

Watch for Robert Dix, son of silent film leading man Richard Dix, playing family friend Johnny. He is usually a likable guy but when the moon turns full he becomes a psycho killer. TV prints splice in a quick shot of some guy wearing a Don Post werewolf mask in an attempt to make the plot more interesting but theatrical prints do not have this embelishment. Robert also appears in FORBIDDEN PLANET and FRANKENSTEIN'S DAUGHTER.

63 year old John Carradine looks younger than his years with his hair dyed black once again. He even does his own stunts for his death scene. Speaking of death scenes, Mango (Ray Young) goes through enough to kill 10 men; shot, hit with an axe and set on fire he just keeps coming back! Whew!

Is this film a classic? Gosh no! But it IS a lot of fun! Just seeing Long John stomping around a dusty old castle like it was still the 1940's at Universal makes it worthwhile. Besides, you just might find yourself singing along with "The Next Train Out" after more than one viewing.

Reviewed by Squonkamatic 9 / 10

Classic Americana

My overblown rating for this is due to nostalgia value: this is one of the first horror movies I can ever remember seeing and is close to my heart in a way that is more fitting for a record album than a movie. I've gotten to know every cadence and beat, line of dialog, musical cue and gesture. This film has been a part of my life, thanks in part by how clever local TV programming directors back in the 1970s would often produce their own weekly Creature Feature Monster Movie Matinée horror movie block.

For some reason this one got around a bit more than others, I was familiar with it from a very young age and we'd get it two or three times a year, right along with "The Black Cat" (1934), "Conqueror Worm" (1968), "Count Dracula" (1970). This one was the vampire movies with the big hunchback, and my greatest intrigue as a kid was to wonder just what was inside of Mango's little house underneath the paper mache stairs. I still wonder about it sometimes.

The film is a classic study of American kitsch, so delightfully out of step with the Haight-Ashbury influenced psychedelia years during which it was produced (1967) and ultimately released (1969) to what must have been baffled audiences. Al Adamson movies are always a matter of acquired taste but I know people who remember seeing this film whenever describing the scene where the guy pushes the car over the cliff and walks away munching on a sandwich.

Its somewhat ineptly made but all of it endearing, right down to the confusing issue of whether Robert Dix's Johnny is a werewolf or not. He is in the expanded television print* and I remember seeing it once or twice, though as far as I am concerned its even more fun with him just being a maniac who gets riled up during the full moon.

And this is John Carradine as I will always remember him, George the Butler, a practicing Satanist (or whatever he practices) who brings his employers chilled Bloody Mary's with real blood promptly at 4:30, and never forgets the need to reward Mango for bringing them fresh girls. The rewarding Mango scene is the highlight of the movie for me. You can't help but wonder what he'd do to a girl if he got one, and it ain't pretty.

The movie deserves a better reputation than its gotten. It's not THAT bad, and there's some actual talent involved with the production in the form of cinematographer Lazlo Kovaks and "Star Trek" contributor Jerome Wexler amongst the production staff. They even shot some of the outdoor sequences by the same rock where Captain Kirk fought the Gorn. Golly!

One curious thing that always impressed me about the movie is how it makes this little community of monsters living in the desert just south of Malibu seem so normal and contented. Sure, Mango is a big shuffling grunting cannibalistic muto, but by golly he has a place here in this household and people who care about him. By contrast, the young couple who inherit the castle come across as shrill, shallow, narcissistic idiots who wish to heartlessly break up the happy nucleus. It appears that what Mr. Adamson was saying is that the monsters are us.


Reviewed by capkronos 4 / 10

Fun-filled schlocksterpiece

Considered the worst vampire movie ever made by many (nah!), this Al Adamson bomb is nonetheless chock full of laughs and tacky entertainment value. Mr. and Mrs. Dracula (Egyptian born schlock star Alexander D'Arcy and Paula Raymond) disguise themselves as the Count and Countess Townsend and are living it up in Falcon Rock; RENTING a secluded castle located in the middle of what appears to be a desert (a great place to avoid the sunlight, eh?). The castle comes complete with the usuals... lavish rooms, coffin-filled bedroom chamber, candles, a large dungeon, a pool table (?!) and two faithful employees who have to do ALL the dirty work as the bloodsucking duo lounge around spouting their insipid dialog. The two servants are a hulking, facially-scarred, hunchback retard named Mango (Ray Young) and a slack-eyed butler named George (John Carradine), who worships the "great God Luna." Mango kidnaps beautiful girls (because, of course, the blood of 'beautiful young women' always tastes the best), takes them to the dungeon and chains them to the wall as a sort-of personal live-in blood bank. George uses a huge syringe to extract blood from victims and serves it up as cocktails to Dracula and wife.

The most recent addition to the harem is Ann (Vicki Volante, a star of many other Adamson movies), who has a bad habit of passing out whenever the going gets tough... a problem that got her dumb ass abducted in the first damn place. She screams her head off when a rat gets within ten feet of her, has a tarantula crawl on her dress and may end up being the chief sacrifice to Carradine's Moon Cult (yes, there is also some kind of black magic mumbo jumbo going on here). There are a few other prisoners as well; two or three other ladies in ripped-up dresses whose expressions never change despite what is going on around them. When one of those ladies is all used up, Mango is given permission to drag her off into a dark corner of the dungeon (hmm... For what, I wonder?) This comfy living situation is threatened when the owner of the castle dies, leaving the place to a favorite nephew (Gene O'Shane), who wants to boot them out and move in there with his fast-track fiancé Liz Arden (Barbara Bishop). Liz is a model and aspiring "Universal Magazine" cover girl, who will end up having more problems to deal with than being upstaged in her saggy bikini bottoms by dolphins, seals and a flipper-chewing walrus while at Sea World.

And as if that isn't enough... There's this family friend named Johnny Davenport (Robert Dix), who has just bought his way out of prison. Get this... A guard accepts five thousand dollars to let Johnny out. But to make it look more convincing, the guard actually turns around and allows this convicted mass murderer to knock him unconscious! So, not surprisingly, instead of just laying him out, Johnny just beats the guy to death before taking off! BEFORE even making it to the castle, Johnny has a fun-filled day of murder and mayhem. He's chased by a posse with dogs, drowns a woman in a polka-dot bikini under a waterfall, bashes an old man over the head with a rock, shoots a hitchhiker in the face with a rifle and wrecks a stolen car over a cliff. And all this before he even arrives in the castle. There is mention of Johnny being a werewolf, but there are no make-up effects to convey it.

When Liz and Glen arrive at the castle, they sleep in separate bedrooms. And when she hears one of the women downstairs screaming, he comforts her by saying "I think it's probably someone using an electric tooth brush that just got short circuited." (??) After an encounter with Mango, the two find themselves prisoners in the dungeon as well, but they manage to escape after being forced to perform in a black magic ceremony. During a struggle with Johnny over the gun, Glen aims the gun way off target, but ends up pulling the trigger and shooting Johnny in the stomach. Carradine falls down a flight of stairs and attacks with a whip. Will Liz, Glen and the imprisoned lovelies escape with their lives? Does this entire film seem like an odd extended dirty metaphor for the joys of S&M? Also in the cast are future director John "Bud" Cardos (who was also the production manager) and Ken/Kenny/Kent Osborne (who also did the make-up). It was shot by "Leslie" (Lazslo) Kovacs, who also worked with Ray Dennis Steckler before becoming a respected Hollywood cinematographer, so you know this movie looks pretty good. Gil Bernal performs the non-hit single "The Next Train Out." I've seen the production year on this film frequently listed as 1967, but according to the original credits it is 1969.

Not the "worst vampire movie ever made..." It's Grade A schlock! But going by the rules of normal film review, I am unable to award this one any better than 3/10. General entertainment value is around 7/10.

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